Observations On Perception

I choose the golden ratio, 1 = 1.618, as a congruent format inherent to infinity, in order to unfold a dialogue between the fluidity of painting and its geometry.  Simultaneously, I conduct a triangulation of the plane of the canvas that reaffirms its paradoxical condition as an object:  its fictitious flatness plays against the illusory spatial depth of the forms contained within it.

Ricardo Morín

http://www.ricardomorin.com

December 13, 2008

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