Observations On The Nature of Perception

Platonic Triangulation, bodycolor on paper, 22 x 30 inches, 2008

I choose the golden ratio 1 = 1618 as a consistent format which is clearly inherent of the infinite, to breakdown a dialogue on the fluidity of the vehicle of painting and its geometry.  At the same time, I establish a triangulation of the bare plane of the canvas which reaffirms its paradoxical nature as an object: where the fictitious flatness of the plane plays in suspension with the illusory spatial depth of forms expressed on it.

Ricardo Morín

http://www.ricardomorin.com

December 13, 2008

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