Observations On Perception

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By Ricardo Morin

August 2, 2025

Bala Cynwyd, Pennsylvania

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There are nights when sleep does not bring rest, but fire. Waking comes not from habit, but from the certainty that something must be understood. Not in a romantic sense of inspiration, but from the need to bring coherence to what is felt and remembered. Writing becomes a form of release: a counterweight to fatigue, an effort that both exhausts and restores.

Some days end in hollow silence, especially after confronting old wounds or noting the latent tensions in family history. What begins as scattered, even frantic thought gradually takes shape. A curve appears: from confusion to focus, and from focus to clarity. In that quiet progression, peace returns.

This rhythm is not chosen for comfort. It comes with broken sleep, exposed emotions, and an urgency born not of excess, but of necessity. Circumstances press in. When thought accelerates and the need to give it form becomes insistent, it is not excess but response.

Yet, nothing in this process happens in isolation. Even when no voices are named, no clarity arises without attunement with others—some near, some distant, some unknown. The work does not emerge from a single hand, but from a convergence of attentiveness, reflection, and exchange. Support comes not as authorship or possession, but as atmosphere, influence, and a presence that accompanies.

What is written here is not a record to own, nor a declaration to be remembered. It is a mark—a point of reference, placed not out of fear, but with lucidity. Whether revisited or left behind, it offers a place to return to if the journey darkens again. Nothing more is asked of it. Nothing less is owed.

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